Photograph Album

Today we are so accustomed to seeing photographs wedded to text--whether in the family album or daily newspaper--that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In "Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so years--roughly from the 1840s to the 1880s--during which the photographic image alternately resisted and became assimilated to the printed page.Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's "The Pencil of Nature); one "scientific" book (Anna Atkins's "Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's "Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel "Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's "Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the bookfrom which it was taken.

Diane Arbus (1923-1971) is renowned for her provocative and unsettling portraits of modern Americans. This book presents a significant body of previously unpublished pictures by Arbus and proposes a radically new way to understand her goals, strategies, and over-all work. Diane Arbus: Family Albums examines unknown contact sheets from several of Arbus's portrait sessions, including more than three hundred photographs she took of a New York family one weekend in 1969. Anthony W. Lee and John Pultz put to the test Arbus's claim that she was developing a "family album." They present other images Arbus shot for Esquire magazine (including pictures of the families of Ricky Nelson, Jayne Mansfield, and Ogden Reid) and discuss her interest in photographic groupings of both traditional and alternative families. Challenging common interpretations of Arbus, the authors reveal a photographer far more savvy with the camera, more aware of photography as an artistic and commercial practice, and more sensitive to the social and cultural tensions of the 1960s than has been acknowledged before.

Photograph (Nickelback song) - "Photograph" is a single by the band Nickelback, the first one from their sixth studio album All the Right Reasons (2005). Presumably, its lyrics look back at the adolescence of frontman Chad Kroeger, who was responsible for writing the song.

Pyromania (album) - Pyromania (literally meaning "a mania for fire") is the third album by British hard rock band Def Leppard, released in 1983 (see 1983 in music). The album contains three sizeable hits "Photograph", "Foolin'" and "Rock of Ages".

Girlfriend (album) - Girlfriend is the third album by Matthew Sweet, his most commercially and critically successful album to date. The cover features a photograph of actress Tuesday Weld from the late 1950s.

Villains (album) - Villains, the third studio album and first major label release by The Verve Pipe, was released in March of 1996. The band received its first hit in Photograph, which peaked in the top 10 on the Billboard Modern Rock Tracks.

photographalbum

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